Rafaël Rozendaal
Exhibition at TSCA
- Rafaël Rozendaal | Screen Time 26 November - 24 December, 2022
- Rafaël Rozendaal | Screen Time 26 November - 24 December, 2022
- Shuhei Ise, Enrico Isamu Oyama, Mayumi Hosokura, Rafaël Rozendaal 16 April - 21 May, 2022
- Rafaël Rozendaal | Calm 17 July - 28 August, 2021
- Special feature exhibition | Kenjiro Okazaki, Enrico Isamu Oyama, Rafaël Rozendaal 6 March - 3 April, 2021
- Special feature exhibition | Mai Yamashita + Naoto Kobayashi, Rafaël Rozendaal 7 September - 5 October, 2019
- Drawing: Manner | Kenjiro Okazaki, Enrico Isamu Oyama, Aya Kawato, Hideki Makiguchi, Goro Murayama 20 April - 25 May, 2019
- TSCA Collection | Foresights and Flow 26 January - 23 February, 2019
- Rafaël Rozendaal | Convenient 24 June - 29 July, 2017
- Rafaël Rozendaal | Somewhere 16 January - 13 February, 2016
- Rafaël Rozendaal | I’m Good 23 January - 20 February, 2010
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Group Exhibition |
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Profile
| Rafaël Rozendaal | A pioneer of the net art scene, Rozendaal (b. 1980) is a Dutch-Brazilian artist who uses the internet as both his studio and his canvas. While he initially gained global prominence from his websites, Rozendaal has creatively utilized the internet—“the universal library”—to transcend these digital works into the physical world, be it his lenticular paintings, tapestries, and web installations. In 2018, Rozendaal held his first solo museum exhibition GENEROSITY at Towada Art Center in Aomori Prefecture, Japan. Other recent major exhibitions include, among others, the Whitney Museum of American Art, New York (USA), Centre Pompidou, Paris (FR), Dordrechts Museum (NL), Kunsthal Rotterdam (NL), Stedelijk Museum, Amsterdam (NL), and Hammer Museum, Los Angeles (USA). Publications include Home Alone (Three Star Books) and Everything, Always, Everywhere (Valiz). |
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Awards
Solo Exhibitions
| 2023 | MODERN Times in Paris 1925 - Art and Design in the Machine-age, POLA Museum of Art, Hakone Rafaël Rozendaal / RR Haiku 278, NEWoMan YOKOHAMA, Yokohama Color, Code, Communication,Museum Folkwang, Essen |
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| 2022 | Screen Time, Takuro Someya Contemporary Art, Tokyo |
| 2021 | Calm, Takuro Someya Contemporary Art, Tokyo Permanent Distraction, Site Gallery, Sheffield Mechanical Paintings, Upstream Gallery, Amsterdam |
| 2020 | Websites, Site Gallery, Sheffield Shadow Objects Sculpture Park, Virtual Art Book Fair (Museum of Contemporary Art Tokyo), Tokyo |
| 2019 | Discrete Objects, Upstream Gallery, Amsterdam Double Pressure, Centraal Museum, Utrecht Nervous, Postmasters Gallery, Rome Don't do too much, Postmasters Gallery, New York |
| 2018 | Generosity, Towada Art Center, Aomori Portraits, Steve Turner, Los Angeles |
| 2017 | Anti Social, Postmasters Gallery, New York Convenient, Takuro Someya Contemporary Art, Tokyo |
| 2016 | Complex Computational Compositions, Upstream Gallery, Amsterdam Abstract Browsing, Steve Turner, Los Angeles Somewhere, Takuro Someya Contemporary Art, Tokyo |
| 2015 | Soft Focus, MU artspace, Eindhoven, The Netherlands Haiku, Postmasters Gallery, New York Time Square Midnight Moment, New York On And On, Carl Kostyál, Stockholm |
| 2014 | Almost Nothing, Hardly Anything, Steve Turner, Los Angeles External Memory, Upstream Gallery, Amsterdam Seoul Art Square, Seoul, South Korea |
| 2013 | Everything You See Is In The Past, Postmasters Gallery, New York |
| 2012 | Everything Dies, Curated by Vlado Velkov, Kunstverein Arnsberg, Germany In and Out, Tetem, The Netherlands Into Time, Museu da Imagem e do Som (MIS), São Paulo Everything Always Everywhere, Steve Turner, Los Angeles The Biggest Kiss in the World, Seoul Square, Seoul, South Korea Without Hesitation, Tabloid, Tokyo |
| 2011 | New Information, Nordin Gallery, Stockholm In Motion, Curated by Jiminie Ha, With Project Space, NYC The Shift, Curated by Tim Voss, W139, Amsterdam To Walk The Night, Gloria Maria Gallery, Milan |
| 2010 | Thank You Very Much, Future Gallery, Berlin Perfect Vacuum, Curated by Johanna Bergmark, Galeri Pictura, Sweden Yes For Sure, Curated by Petra Heck, NIMk, Amsterdam Broken Self, Spencer Brownstone Gallery, New York Volta Art Fair, New York I’m Good, Takuro Someya Contemporary Art, Tokyo |
| 2009 | Really Really Big, NP3, Groningen |
| 2007 | Flaming Log, Carmelitas Gallery, Barcelona Piece by Piece, Curated by Marti Peran, Galeria dels Angels, Barcelona |
| 2006 | SMCS op 11, Curated by Jelle Bouwhuis, Amsterdam |
| 2005 | Neen Season, Sketch, London |
| 2004 | It Will Never be the Same, Quarantine, Amsterdam New Rafael, M+R Gallery, London |
| 2002 | White Trash, Electronic Orphanage, Los Angeles |
Group Exhibition
| 2023 | Behind The Screens, Coda Museum, Apeldoorn |
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| 2022 | Recent Discovery, ISETAN ART GALLERY, Tokyo Observation, Navy’s Officer’s Club - Venice Meeting Point, Venice Shuhei Ise, Enrico Isamu Oyama, Mayumi Hosokura, Rafaël Rozendaal, Takuro Someya Contemporary Art, Tokyo |
| 2021-2022 | Histoires d'abstraction, le cauchemar de Greenberg, Foundation d'enterprise Pernod Ricard, Paris La realtà, i linguaggi, Galleria Enrico Astuni, Bologna Group Show: 6 Artists, Mitsukoshi Contemporary Gallery, Tokyo |
| 2021 | Special feature exhibition | Kenjiro Okazaki, Enrico Isamu Oyama, Rafaël Rozendaal, Takuro Someya Contemporary Art, Tokyo |
| 2020 | Good Pictures, curated by Austin Lee, Deitch Gallery, New York Quiet, Calm, Staring, Upstream Gallery, Amsterdam (curator) Cultural Matter, LIMA, Amsterdam |
| 2019 | Trouble in Paradise, collection Rattan Chadha, Kunsthal, Rotterdam Special feature exhibition: Mai Yamashita+Naoto Kobayashi, Rafaël Rozendaal, Takuro Someya Contemporary Art, Tokyo Drawing: Manner | Kenjiro Okazaki, Enrico Isamu Oyama, Aya Kawato, Hideki Makiguchi, Goro Murayama, Takuro Someya Contemporary Art, Tokyo Freedom of Movement, Takuro Someya Contemporary Art, Tokyo TSCA Collection | Foresights and Flow, Takuro Someya Contemporary Art, Tokyo |
| 2018 | Programmed: Rules, Codes, and Choreographies in Art, 1965–2018, Whitney Museum of American Art, New York Freedom of Movement: Municipal Art Acquisitions, Stedelijk Museum, Amsterdam The Most Contemporary Painting Show, Dordrecht Museum, The Netherlands Mapping the Invisible, International Festival for Arts & Alternative Visions, TOP Museum, Japan Colour & Abstraction: Generations in Dialogue, Textile Museum, The Netherlands |
| 2017 | Stedelijk Base, Stedelijk Museum, Amsterdam Choice and Chance, Eye Film Museum, Amsterdam Art from the Hugo Brown Family Collection, Kunsthal, Rotterdam Sleep Mode: The Art of the Screensaver, Nieuwe Instituut, Rotterdam Kenpoku Art Festival, Ibaraki Prefecture, Japan Hello Robot, Vitra Museum, Germany Cubicles, Foam Museum, Amsterdam Popular Screen Sizes, Japan Creative Centre (JCC), Singapore Insomnia, Bonniers Konsthall, Stockholm |
| 2016 | Kenpoku Art Festival, Ibaraki Prefecture, Japan BYOB, Stedelijk Museum, Amsterdam Doings & Knots, Tallin Art Hall, Estonia Dialogue with Something Invisible, Artium, Japan New Gameplay, Nam June Paik Art Center, Seoul Digital Abstraction, HeK (House of Electronic Arts Basel), Basel, Switzerland Unknown Landscape, Upstream Gallery, Amsterdam |
| 2015 | STRP Biennial, The Netherlands Much Better Than This, Time Square New York |
| 2014 | Born Digital, Stedelijk Museum Breda, The Netherlands The Moving Museum, Istanbul Selected Websites, Hammer Museum, Los Angeles Liquid Crystal Palace: Recent Works with Jeremy Blake, Honor Fraser Gallery, Los Angeles lluminating Graphics, Creation Gallery G8, Tokyo Looking at Something, Telfair Museum, Savannah, Georgia, US |
| 2013 | Paddles On!, Curated by Lindsay Howard, Phillips, New York BYOB Mobile, Printed Matter, New York Being in the Wired World, Kawasaki City Museum, Japan Cold Void, KK Outlet, Los Angeles 6 Websites, Arranged by Mark Brown, Salon94 Bowery, New York Book Machine, Centre Pompidou, Paris Node Festival, Kunstverein Frankfurt, Germany #FutureMyth, 319 Scholes, New York Brand Innovations, Carroll/Fletcher, London Notes on a New Nature, Art et Amicitae, Amsterdam |
| 2012 | Nova, Museu da Imagem e do Som (MIS), São Paulo DLD Conference, Curated by Johannes Fricke & Hans Ulrich Obrist, Germany |
| 2011 | BYOB: Games, Curated by Paul Slocum, Postmasters Gallery, New York Extimacy, Curated by Pier Giorgio De Pinto, CACT, Lugano, Switzerland BYOB Amsterdam, W139, Amsterdam BYOB Tokyo, Curated by Yosuke Kurita, Tokyo BYOB Venezia, Venice Biennial, Italy File Festival, Rio de Janeiro Rhizome at the Armory, Curated by Lauren Cornell, New York BYOB Paris, Curated by Nicolas Maigret, Paris BYOB London, Curated by Kernel, London Rojo Nova Festival, Curated by David Quiles Guilló, Rio de Janeiro DLD Conference, Curated by Johannes Fricke, Munich, Germany |
| 2010 | Speedshow/PeepShow, Curated by Hitomi Hasegawa, Hong Kong BYOB NYC, Spencer Brownstone Gallery, New York Bal Jaune Ricard, Curated by Claire Staebler, Paris BYOB Athens, Curated by Angelo Plessas, Kunsthalle Athena, Greece Speedshow, Curated by Aram Bartholl, Amsterdam Happy is a Place, Curated by Violeta Solís Horcasitas, Mexico City Taipei Art Fair with Takuro Someya Contemporary Art, Taiwan BYOB (Bring Your Own Beamer), Curated by Anne de Vries, Berlin Binary Code View, The Agency, London Kunsthalle Athena, Curated by Marina Fokidis, Athens Multiplex, Curated by Vvork, Munich Preferiría (si) Hacerlo, Bogota, Colombia Texture Maps, Curated by Eelco van der Lingen, Nest, The Hague, The Netherlands Circa Art Fair, Preteen Gallery, Puerto Rico Better Brain: Projected Manifestations of Futurity, Future Gallery, Berlin Don’t worry, Be Happy!, Curated by Gerben Willers, MAMA (Media of Moving Art), Rotterdam |
| 2009 | The Last Session, Curated by Jan van Woensel, Amsterdam AFK Sculpture Park (Away from Keyboard), Curated by aids-3D, Berlin Afficha Festival, Curated by Roman Mazurenko, Moscow Biennale di Venezia, Padiglione Internet, Curated by Miltos Manetas and Jan Aman, Venice The New Easy, Curated by Lars Eijssen, Art News, Berlin Are you sure you are you?, Spencer Brownstone Gallery, NYC 101 Art Fair Project Room, Curated by Kosuke Fujitaka, Tokyo Straylight Cavern, Cell Project Space, London The Real Thing, MU artspace, Eindhoven, The Netherlands |
| 2008 | Love Delirium, Kunstraum Niederoesterreich, Vienna FILE, São Paolo, Brazil Rhizome Commissions, New Museum, New York Point of No Return, Curated by Caroline Hancock, Rubicon Gallery, Dublin The Long Cigarette, 11, Amsterdam Webcra.sh, Curated by Jodi, Pictura, Dordrecht |
| 2007 | Dazed & Confused vs. Andy Warhol, Curated by Jerome Sans, Baltic Mill, England Existential Computing, Hayward Gallery, London Much Better Than This, Horsecross, Perth |
| 2006 | Neen Evening, Amsterdam Unlike the Rest, Liquid Room, Tokyo Neen Demo, Curated by Angelo Plessas", Benaki Museum, Athens KunstRAI Art Fair, GMVZ, Amsterdam Superneen, Galleria Pack, Milan ARCO with Galeria Dels Angels, Madrid, Spain Inside Out, fondsbkvb, Amsterdam |
| 2005 | Loop of Neen, Loop Festival, Barcelona Bienal de Valencia, Curated by Franck Gautherot and Seung-duk Kim, Spain Sonar Festival, Barcelona It Will Never be the Same, Curated by Claude Closky, Le Magasin, Grenoble, France |
| 2004 | Neen Porn, Galeria dels Angels, Barcelona New Masters of Universe, Curated by Wonil Rhee, Moca Taipei, Taiwan NeenToday, MU art foundation, Eindhoven, The Netherlands I am Very Very Sorry, Gallery MVZ, Amsterdam |
| 2002 | Afterneen, casco, Utrecht, The Netherlands Neen World, Vilette Numerique, Paris WhitneyBiennial.com, New York |
| 2001 | Biennale.net, Deitch Projects, New York Tirana Biennale, Tirana, Albania |
Publication
| 2023 | "81 Horizons", Walther and Franz König, Essen |
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| 2020 | "HOME ALONE", Three Star Books, France |
| 2019 | "haiku book 2018" (Spheres Publication, London) "Everything, Always, Everywhere (my first monograph)" (Valiz, Amsterdam) |
| 2016 | "haiku book 2016" (Idea Books, Amsterdam) "Abstract Browsing" (The Printed Web, New York) |
Collection
Others
Rafaël Rozendaal: "MODERN Times in Paris 1925 - Art and Design in the Machine-age" (POLA Museum of Art)
We are pleased to announce that Rafaël Rozendaal will join the exhibition “MODERN Times in Paris 1925 – Art and Design in the Machine-age” at the POLA Museum of Art. The biggest lenticular works ever made by Rafaël Rozendaal will be shown at the finale of the exhibition. We hope you will enjoy this opportunity to view Rozendaal’s works!
——————————— “MODERN Times in Paris 1925 – Art and Design in the Machine-age”
In the 1920s, Paris underwent rapid industrialization in an effort to reconstruct the French capital in the wake of the First World War, ushering in a flourishing and dynamic era known as the Machine Age. This exhibition examines various aspects of the relationship between machines and people in the 1920s and ’30s with a focus on Paris as well as other parts of Europe, the U.S., and Japan. The International Exhibition of Modern Decorative and Industrial Arts (the Art Deco Exhibition), a world’s fair held in Paris in 1925, was an important turning point in changing attitudes, as it heralded Art Deco, a geometric style inspired by machines. After the Great Kanto Earthquake, which occurred in 1923, Japan underwent rapid modernization. In the brief period of prosperity between the two world wars, ideas about machines and rationality changed drastically.
With great technological advances such as computers, the Internet, and AI, which promises to transform our lives even further, this is perhaps a good time to revisit the art and design of 100 years ago and reconsider the connection between machines and humans.
Dates: Sat. December 16, 2023 − Sun. May 19, 2024 Venue: POLA Museum of Art, Gallery 1 and 2 (Map) |
Rafaël Rozendaal: "MODERN Times in Paris 1925 - Art and Design in the Machine-age" (POLA Museum of Art)
We are pleased to announce that Rafaël Rozendaal will join the exhibition “MODERN Times in Paris 1925 – Art and Design in the Machine-age” at the POLA Museum of Art. The biggest lenticular works ever made by Rafaël Rozendaal will be shown at the finale of the exhibition.
We hope you will enjoy this opportunity to view Rozendaal’s works!
———————————
“MODERN Times in Paris 1925 – Art and Design in the Machine-age”
In the 1920s, Paris underwent rapid industrialization in an effort to reconstruct the French capital in the wake of the First World War, ushering in a flourishing and dynamic era known as the Machine Age. This exhibition examines various aspects of the relationship between machines and people in the 1920s and ’30s with a focus on Paris as well as other parts of Europe, the U.S., and Japan. The International Exhibition of Modern Decorative and Industrial Arts (the Art Deco Exhibition), a world’s fair held in Paris in 1925, was an important turning point in changing attitudes, as it heralded Art Deco, a geometric style inspired by machines. After the Great Kanto Earthquake, which occurred in 1923, Japan underwent rapid modernization. In the brief period of prosperity between the two world wars, ideas about machines and rationality changed drastically.
With great technological advances such as computers, the Internet, and AI, which promises to transform our lives even further, this is perhaps a good time to revisit the art and design of 100 years ago and reconsider the connection between machines and humans.
Dates: Sat. December 16, 2023 − Sun. May 19, 2024
Venue: POLA Museum of Art, Gallery 1 and 2 (Map)