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Tokyo Gendai 2024 Galleries: C10

Takuro Someya Contemporary Art (TSCA) is pleased to present works by Kenjiro Okazaki and Rafaël Rozendaal at Tokyo Gendai 2024. Presenting at Galleries’ sector for this year, TSCA features a large tile work exhibited at “Retrospective Strata”, a large solo exhibition by Kenjiro Okazaki held at Toyota Municipal Museum of Art in 2019, and new sculptures. Rafaël Rozendaal also shows a series of three-meter-high lenticular works from an exhibition “Modern Times in Paris 1925 – Art and Design in the Machine-age’ held at POLA Museum of Art from 2023 until 2024.

 

Kenjiro Okazaki’s (b. 1955, Tokyo) achievements in painting and sculpture can be more fully understood by examining his wide-ranging activities and body of work as a whole. As an artist, architect, community project leader, critic, and thinker, Okazaki has made many significant and lasting contributions, establishing himself as a master of both the practice and theory of art. At the core of his expansive work is a steadfast artistic philosophy.

 

The distinctiveness of Okazaki’s artistic practice and thinking is most strikingly manifested in his innovative use of ceramic tiles.

 

To conceive of a single artwork composed of variously colored titles, each made with different materials and firing processes, transcends the scope of traditional drawing methods.
The process of understanding the individual characteristics of the countless colored tiles and creating a sequence of hues is similar to editing a film or constructing a philosophical argument. Leveraging the unique qualities of each tile (for example, the contrast between transparent and matte colors is key to understanding Okazaki’s paintings), Okazaki constructs the visual surface as if solving a mathematical problem or weaving a story. Like a sequence of scenes in a film or a continuous architectural space, each part of the finished work appears as though an independent color composition or individual painting. Yet as these individual components are integrated into the experience of a continuous and connected whole, the work sparks the viewer’s imagination anew. The process of viewing the work and the process of thinking overlap and become one.

 

Born in the Netherlands in 1980, Rafaël Rozendaal began presenting works on ‘web pages’ with each of their own domains in 2001. Defining his art as “like a gas or liquid that appears everywhere” by himself, Rozendaal has used the ubiquitous nature of the internet as the basic structure for his works, presenting works in a variety of formats using a wide range of motifs such as from web browsers, food, landscapes and other unique phenomena in the world around us. The variety of his works with their rich colors and freewheeling compositions not only entertain the viewers, but also propose a more universal structure beyond the diversity and individuality of each work due to their structural coherence.

Inquiry: gallery@tsca.jp

    (Japanese) 岡﨑乾二郎 × 村山悟郎の対談を公開しました

    Sorry, this entry is only available in Japanese.

      Kenjiro Okazaki: Kunitsukami as Chthonius

      _DSF2516

      Installation view, Kunitsukami as Chthonius, 2024, photo by Shu Nakagawa

      ©Kenjiro Okazaki

       

      Exhibition Period: Sunday, March 10, 2024 – Sunday, May 12, 2024

       

      We are pleased to announce Kenjiro Okazaki’s solo exhibition Kunitsukami as Chthonius. This exhibition offers a preview of new sculptures and will be open until Sunday, May 12. Takuro Someya Contemporary Art was involved in planning this collaborative exhibition.

       

      These new sculptures are the culmination of a quarter-century period during which the artist prepared to resume their production and will soon be widely exhibited. In the lead-up to their public unveiling, we hope to provide an opportunity to reflect on and renew our understanding of the significance of Okazaki’s sculptures, as well as the inherent power and presence of the medium of sculpture itself. This exhibition also aims to foster synergy across the various elements of Okazaki’s diverse endeavors as he continues to expand his practice, both domestically and internationally.

       

      In Kunitsukami as Chthonius, Okazaki offers a glimpse into his vision of sculpture-making for the first time since his presentation of ceramic sculptures twenty-five years ago. This exhibition features sculptures that adhere to the original dimensions of the artist’s handmade forms as well as those that, through enlargement, demonstrate the presence of volume as a major element of sculpture. Each work confronts us with the dynamism born from the fusion of form and material.

       

       

      Translation by Eriko Ikeda Kay

       

       _DSF2475

      Installation view, Kunitsukami as Chthonius, 2024, photo by Shu Nakagawa

      ©Kenjiro Okazaki

       

      Kenjiro Okazaki | Kunitsukami as Chthonius
      Exhibition Period: Sunday, March 10, 2024 – Sunday, May 12, 2024

      This exhibition is by appointment only.
      To schedule a visit, please contact us at gallery@tsca.jp.

       

        Kenjiro Okazaki: Viewing Program Vol. 8 "Who Knew Cat Nowhere"

        Appointment:
        https://calendar.app.google/qonwZ7cMobtNJb4j6
        For enquiries, please email <gallery@tsca.jp>.

         

        Kenjiro Okazaki: Viewing Program Vol. 8
        Venue: TSCA Viewing space|Takuro Someya Contemporary Art
        Exhibition Period: Thursday, February 22, 2024 – Friday, March 22, 2024
        *Extended until around late April, 2024

         

        Open: Tue – Sat 11:00 a.m. – 6:00 p.m.
        Closed: Sun, Mon and National Holidays

         

        Takuro Someya Contemporary Art
        3F TERRADA Art Complex Ⅰ 1-33-10 Higashi-Shinagawa
        Shinagawa-ku Tokyo 140-0002 Japan

         

        TEL +81 (0)3-6712-9887 |FAX +81 (0)3-4578-0318 |E-MAIL: gallery@tsca.jp

          Project

          Kenjiro Okazaki: Viewing Program Vol. 7

          Appointment:

          https://calendar.app.google/pBEP6quhMAKMmumg9

           

          Kenjiro Okazaki: Viewing Program Vol. 7
          Venue: TSCA Viewing space|Takuro Someya Contemporary Art
          Exhibition Period: Friday, December 22, 2023– Tuesday, January 30, 2024

          Open: Tue – Sat 11:00 a.m. – 6:00 p.m.
          Closed: Sun, Mon and National Holidays
          Winter Holiday: Thursday, December 26, 2023 – Monday, January 8, 2024

          Takuro Someya Contemporary Art
          3F TERRADA Art Complex Ⅰ 1-33-10 Higashi-Shinagawa
          Shinagawa-ku Tokyo 140-0002 Japan

          TEL +81 (0)3-6712-9887 |FAX +81 (0)3-4578-0318 |E-MAIL: gallery@tsca.jp

            Artist

            Mayumi Hosokura: Walking, Diving - Exhibition review

            Hajime Nariai (curator, The National Museum of Modern Art, Tokyo) has written a review for Mayumi Hosokura’s solo exhibition Walking and Diving held at Takuro Someya Contemporary Art from 2 September until 21 October, 2023. For further information, please click here.

            https://tsca.jp/artist/mayumi-hosokura/#text

              Tokyo Gendai 2024 Galleries: C10

              Takuro Someya Contemporary Art (TSCA) is pleased to present works by Kenjiro Okazaki and Rafaël Rozendaal at Tokyo Gendai 2024. Presenting at Galleries’ sector for this year, TSCA features a large tile work exhibited at “Retrospective Strata”, a large solo exhibition by Kenjiro Okazaki held at Toyota Municipal Museum of Art in 2019, and new sculptures. Rafaël Rozendaal also shows a series of three-meter-high lenticular works from an exhibition “Modern Times in Paris 1925 – Art and Design in the Machine-age’ held at POLA Museum of Art from 2023 until 2024.

               

              Kenjiro Okazaki’s (b. 1955, Tokyo) achievements in painting and sculpture can be more fully understood by examining his wide-ranging activities and body of work as a whole. As an artist, architect, community project leader, critic, and thinker, Okazaki has made many significant and lasting contributions, establishing himself as a master of both the practice and theory of art. At the core of his expansive work is a steadfast artistic philosophy.

               

              The distinctiveness of Okazaki’s artistic practice and thinking is most strikingly manifested in his innovative use of ceramic tiles.

               

              To conceive of a single artwork composed of variously colored titles, each made with different materials and firing processes, transcends the scope of traditional drawing methods.
              The process of understanding the individual characteristics of the countless colored tiles and creating a sequence of hues is similar to editing a film or constructing a philosophical argument. Leveraging the unique qualities of each tile (for example, the contrast between transparent and matte colors is key to understanding Okazaki’s paintings), Okazaki constructs the visual surface as if solving a mathematical problem or weaving a story. Like a sequence of scenes in a film or a continuous architectural space, each part of the finished work appears as though an independent color composition or individual painting. Yet as these individual components are integrated into the experience of a continuous and connected whole, the work sparks the viewer’s imagination anew. The process of viewing the work and the process of thinking overlap and become one.

               

              Born in the Netherlands in 1980, Rafaël Rozendaal began presenting works on ‘web pages’ with each of their own domains in 2001. Defining his art as “like a gas or liquid that appears everywhere” by himself, Rozendaal has used the ubiquitous nature of the internet as the basic structure for his works, presenting works in a variety of formats using a wide range of motifs such as from web browsers, food, landscapes and other unique phenomena in the world around us. The variety of his works with their rich colors and freewheeling compositions not only entertain the viewers, but also propose a more universal structure beyond the diversity and individuality of each work due to their structural coherence.

              Inquiry: gallery@tsca.jp

                Kenjiro Okazaki: Kunitsukami as Chthonius

                _DSF2516

                Installation view, Kunitsukami as Chthonius, 2024, photo by Shu Nakagawa

                ©Kenjiro Okazaki

                 

                Exhibition Period: Sunday, March 10, 2024 – Sunday, May 12, 2024

                 

                We are pleased to announce Kenjiro Okazaki’s solo exhibition Kunitsukami as Chthonius. This exhibition offers a preview of new sculptures and will be open until Sunday, May 12. Takuro Someya Contemporary Art was involved in planning this collaborative exhibition.

                 

                These new sculptures are the culmination of a quarter-century period during which the artist prepared to resume their production and will soon be widely exhibited. In the lead-up to their public unveiling, we hope to provide an opportunity to reflect on and renew our understanding of the significance of Okazaki’s sculptures, as well as the inherent power and presence of the medium of sculpture itself. This exhibition also aims to foster synergy across the various elements of Okazaki’s diverse endeavors as he continues to expand his practice, both domestically and internationally.

                 

                In Kunitsukami as Chthonius, Okazaki offers a glimpse into his vision of sculpture-making for the first time since his presentation of ceramic sculptures twenty-five years ago. This exhibition features sculptures that adhere to the original dimensions of the artist’s handmade forms as well as those that, through enlargement, demonstrate the presence of volume as a major element of sculpture. Each work confronts us with the dynamism born from the fusion of form and material.

                 

                 

                Translation by Eriko Ikeda Kay

                 

                 _DSF2475

                Installation view, Kunitsukami as Chthonius, 2024, photo by Shu Nakagawa

                ©Kenjiro Okazaki

                 

                Kenjiro Okazaki | Kunitsukami as Chthonius
                Exhibition Period: Sunday, March 10, 2024 – Sunday, May 12, 2024

                This exhibition is by appointment only.
                To schedule a visit, please contact us at gallery@tsca.jp.

                 

                  Kenjiro Okazaki: Viewing Program Vol. 8 "Who Knew Cat Nowhere"

                  Appointment:
                  https://calendar.app.google/qonwZ7cMobtNJb4j6
                  For enquiries, please email <gallery@tsca.jp>.

                   

                  Kenjiro Okazaki: Viewing Program Vol. 8
                  Venue: TSCA Viewing space|Takuro Someya Contemporary Art
                  Exhibition Period: Thursday, February 22, 2024 – Friday, March 22, 2024
                  *Extended until around late April, 2024

                   

                  Open: Tue – Sat 11:00 a.m. – 6:00 p.m.
                  Closed: Sun, Mon and National Holidays

                   

                  Takuro Someya Contemporary Art
                  3F TERRADA Art Complex Ⅰ 1-33-10 Higashi-Shinagawa
                  Shinagawa-ku Tokyo 140-0002 Japan

                   

                  TEL +81 (0)3-6712-9887 |FAX +81 (0)3-4578-0318 |E-MAIL: gallery@tsca.jp

                    Project

                    Kenjiro Okazaki: Viewing Program Vol. 7

                    Appointment:

                    https://calendar.app.google/pBEP6quhMAKMmumg9

                     

                    Kenjiro Okazaki: Viewing Program Vol. 7
                    Venue: TSCA Viewing space|Takuro Someya Contemporary Art
                    Exhibition Period: Friday, December 22, 2023– Tuesday, January 30, 2024

                    Open: Tue – Sat 11:00 a.m. – 6:00 p.m.
                    Closed: Sun, Mon and National Holidays
                    Winter Holiday: Thursday, December 26, 2023 – Monday, January 8, 2024

                    Takuro Someya Contemporary Art
                    3F TERRADA Art Complex Ⅰ 1-33-10 Higashi-Shinagawa
                    Shinagawa-ku Tokyo 140-0002 Japan

                    TEL +81 (0)3-6712-9887 |FAX +81 (0)3-4578-0318 |E-MAIL: gallery@tsca.jp

                      Artist

                      Mayumi Hosokura: Walking, Diving - Exhibition review

                      Hajime Nariai (curator, The National Museum of Modern Art, Tokyo) has written a review for Mayumi Hosokura’s solo exhibition Walking and Diving held at Takuro Someya Contemporary Art from 2 September until 21 October, 2023. For further information, please click here.

                      https://tsca.jp/artist/mayumi-hosokura/#text

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