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Tokyo Gendai 2025

TG25_composite_horizontal_rgb_white

 

Takuro Someya Contemporary Art is excited to announce its participation in Tokyo Gendai 2025.

 

Tokyo Gendai 2025
Galleries: B12

 

Artists: Kenjiro Okazaki, Rafaël Rozendaal, Goro Murayama, Harm van den Dorpel

 

Dates :

Thursday, September 11
2:00 PM ー 5:00PM (VIP preview)
5:00 PM – 8:00 PM (Vernissage)

 

Friday, September, 12
11:00 AM – 6:00 PM (Public Access)

 

Saturday, September 13
11:00 AM – 6:00 PM (Public Access)

 

Sunday, September 14
11:00 AM – 5:00 PM (Public Access)

 

※Last admission is 30 minutes before closing.


Venue:
Pacifico Yokohama Exhibition Hall C/D
1-1-1 Minatomirai, Nishi Ward,
Yokohama, Kanagawa
220-0012

https://tokyogendai.com/

    Frieze Seoul 2025

    FR_Wordmark_Seoul_twolines_centered

     

    Takuro Someya Contemporary Art is excited to announce its participation in Frieze Seoul 2025.

    Frieze Seoul 2025
    Booth:C20(Galleries)

    Artists: Kenjiro Okazaki, Yuumi Domoto, Mayumi Hosokura, Chinoko Sakamoto, Rafaël Rozendaal

    Dates :
    Wednesday, September 3
    11:00 AM – 7:00PM (Invitation only)

    Thursday, September 4
    11:00 AM – 3:00 PM (Invitation and preview ticket holders only)
    3:00 PM – 7:00PM (General Admission)

    Friday, September 5
    11:00 AM – 7:00 PM 

    Saturday, September 6
    11:00 AM – 7:00 PM 

    ※Last admission is 30 minutes before closing.


    Venue:COEX
    513 Yeongdong-daero, Gangnam-gu, Seoul 06164, Republic of Korea

    https://www.frieze.com/fairs/frieze-seoul/visitor-information

      Kenjiro Okazaki Viewing program "Block House Sunagawa"

      okazaki_blockhouse

       

        Art Fair

        Art Basel Hong Kong 2025 Booth: 3D25

        Takuro Someya Contemporary Art is excited to announce its participation in Art Basel Hong Kong 2025.


        Art Basel Hong Kong 2025
        Booth:3D25


        Kenjiro Okazaki, Nobuo Yamanaka

        Date :Wednesday, March 26 – Sunday, March 30

        First Choice
        Wednesday, March 26, 12:00 PM ー 8:00PM

        First Choice and Preview
        Wednesday, March 26, 3:00PM ー 8:00PM
        Thursday, March 27, 12:00PM ー 4:00PM
        Friday, March 28, 12:00 ー  2:00PM
        Saturday, March 29, 12:00PM ー 2:00PM
        Sunday, March 30, 11:00AM ー 12:00PM

        Vernissage
        Thursday, March 27, 4:00PM ー 8:00PM

        Public Days
        Friday, March 28, 2:00PM ー 8:00PM
        Saturday, March 29, 2:00PM ー 8:00PM
        Sunday, March 30, 12:00PM ー 6:00PM



        Venue:
        Convention & Exhibition Centre
        1 Harbour Road
        Wan Chai
        Hong Kong, China

        https://www.artbasel.com/hong-kong

         

         

        岡﨑5点組_cropped_修正

        From left:

        On Ohrid Lake’s rocky shore, an ancient sage meditated, his bird-like face carved by time and fasting. Swallows skimmed waters. The novice’s azure beads glinted. “Master,” he murmured, “your strength wanes like autumn light.” Behind them stood a monastery, half-hidden among olive trees, its burned walls whispering tales of sacrilege.

         

        “At night, Master, I see them: Hellenic maidens weaving flower crowns with blue wildflowers, their hair flowing with their hearts’ rhythm.” The youth’s voice trembled. Through azure darkness, mysterious figures like shadows – Macedonian shepherds driving boars through olive groves, Dryads herding pearl-white goats, laughter echoing across deep blue Aegean waters.

         

        Lilies and roses, planted by long-departed Orthodox monks, wove through the garden where ferns advanced like silent armies. “The ancient Thracian gods still walk here,” the old man murmured, eyes gleaming. Beyond the flower-strewn ruins, cypress groves stretched toward horizon, harboring secrets of Cyclopes and Thessalian nymphs dancing in moonlight.

         

        “I seek the moment when immortal spirits sing,” the sage revealed, clutching his cypress staff. “When the sun passes between Ram and Lion, their song trembles through creation. Tomorrow at dawn, I shall hear it.” His eyes blazed with ancient wisdom, reflecting centuries of searching through Byzantine and Delphic lore.

         

        The youth gathered roses bright as rubies and lilies white as pearls, weaving them through rushes as the last grains of sand fell. “You’ll find me young again,” the master had promised. When dawn painted the walls with clear light, he sat motionless, embracing the dewy flowers, his quest ended.

         

        Kenjiro Okazaki | 岡﨑乾二郎

        2025, Acrylic on canvas, (H)160 x (W)130 x (D) 7cm each

        Set of five

        ©︎ Kenjiro Okazaki

        Courtesy of Takuro Someya Contemporary Art

         

         

        TSCA_NY_Untitled_Manhattan40C_1980 のコピー

        Nobuo Yamanaka 
        Untitled (Manhattan in Pinhole (40)C)
        1980, C-Type Print, (H)12.5 x (W)20.2 cm
        ©︎ Nobuo Yamanaka
        Courtesy of Takuro Someya Contemporary Art

         

         

         

        230418_あふれる太陽のピンホール(7)

        Nobuo Yamanaka
        Dazzling Sun in Pinhole (7)
        1973, C-Type Print, (H)25 x (W)30 cm
        ©︎ Nobuo Yamanaka
        Courtesy of Takuro Someya Contemporary Art

         

          Art Fair

          Tokyo Gendai 2024 Galleries: C10

          Takuro Someya Contemporary Art (TSCA) is pleased to present works by Kenjiro Okazaki and Rafaël Rozendaal at Tokyo Gendai 2024. Presenting at Galleries’ sector for this year, TSCA features a large tile work exhibited at “Retrospective Strata”, a large solo exhibition by Kenjiro Okazaki held at Toyota Municipal Museum of Art in 2019, and new sculptures. Rafaël Rozendaal also shows a series of three-meter-high lenticular works from an exhibition “Modern Times in Paris 1925 – Art and Design in the Machine-age’ held at POLA Museum of Art from 2023 until 2024.

           

          Kenjiro Okazaki’s (b. 1955, Tokyo) achievements in painting and sculpture can be more fully understood by examining his wide-ranging activities and body of work as a whole. As an artist, architect, community project leader, critic, and thinker, Okazaki has made many significant and lasting contributions, establishing himself as a master of both the practice and theory of art. At the core of his expansive work is a steadfast artistic philosophy.

           

          The distinctiveness of Okazaki’s artistic practice and thinking is most strikingly manifested in his innovative use of ceramic tiles.

           

          To conceive of a single artwork composed of variously colored titles, each made with different materials and firing processes, transcends the scope of traditional drawing methods.
          The process of understanding the individual characteristics of the countless colored tiles and creating a sequence of hues is similar to editing a film or constructing a philosophical argument. Leveraging the unique qualities of each tile (for example, the contrast between transparent and matte colors is key to understanding Okazaki’s paintings), Okazaki constructs the visual surface as if solving a mathematical problem or weaving a story. Like a sequence of scenes in a film or a continuous architectural space, each part of the finished work appears as though an independent color composition or individual painting. Yet as these individual components are integrated into the experience of a continuous and connected whole, the work sparks the viewer’s imagination anew. The process of viewing the work and the process of thinking overlap and become one.

           

          Born in the Netherlands in 1980, Rafaël Rozendaal began presenting works on ‘web pages’ with each of their own domains in 2001. Defining his art as “like a gas or liquid that appears everywhere” by himself, Rozendaal has used the ubiquitous nature of the internet as the basic structure for his works, presenting works in a variety of formats using a wide range of motifs such as from web browsers, food, landscapes and other unique phenomena in the world around us. The variety of his works with their rich colors and freewheeling compositions not only entertain the viewers, but also propose a more universal structure beyond the diversity and individuality of each work due to their structural coherence.

          Inquiry: gallery@tsca.jp

            Artist

            (Japanese) 岡﨑乾二郎 × 村山悟郎の対談を公開しました

            Sorry, this entry is only available in Japanese.

              Tokyo Gendai 2025

              TG25_composite_horizontal_rgb_white

               

              Takuro Someya Contemporary Art is excited to announce its participation in Tokyo Gendai 2025.

               

              Tokyo Gendai 2025
              Galleries: B12

               

              Artists: Kenjiro Okazaki, Rafaël Rozendaal, Goro Murayama, Harm van den Dorpel

               

              Dates :

              Thursday, September 11
              2:00 PM ー 5:00PM (VIP preview)
              5:00 PM – 8:00 PM (Vernissage)

               

              Friday, September, 12
              11:00 AM – 6:00 PM (Public Access)

               

              Saturday, September 13
              11:00 AM – 6:00 PM (Public Access)

               

              Sunday, September 14
              11:00 AM – 5:00 PM (Public Access)

               

              ※Last admission is 30 minutes before closing.


              Venue:
              Pacifico Yokohama Exhibition Hall C/D
              1-1-1 Minatomirai, Nishi Ward,
              Yokohama, Kanagawa
              220-0012

              https://tokyogendai.com/

                Frieze Seoul 2025

                FR_Wordmark_Seoul_twolines_centered

                 

                Takuro Someya Contemporary Art is excited to announce its participation in Frieze Seoul 2025.

                Frieze Seoul 2025
                Booth:C20(Galleries)

                Artists: Kenjiro Okazaki, Yuumi Domoto, Mayumi Hosokura, Chinoko Sakamoto, Rafaël Rozendaal

                Dates :
                Wednesday, September 3
                11:00 AM – 7:00PM (Invitation only)

                Thursday, September 4
                11:00 AM – 3:00 PM (Invitation and preview ticket holders only)
                3:00 PM – 7:00PM (General Admission)

                Friday, September 5
                11:00 AM – 7:00 PM 

                Saturday, September 6
                11:00 AM – 7:00 PM 

                ※Last admission is 30 minutes before closing.


                Venue:COEX
                513 Yeongdong-daero, Gangnam-gu, Seoul 06164, Republic of Korea

                https://www.frieze.com/fairs/frieze-seoul/visitor-information

                  Art Fair

                  Art Basel Hong Kong 2025 Booth: 3D25

                  Takuro Someya Contemporary Art is excited to announce its participation in Art Basel Hong Kong 2025.


                  Art Basel Hong Kong 2025
                  Booth:3D25


                  Kenjiro Okazaki, Nobuo Yamanaka

                  Date :Wednesday, March 26 – Sunday, March 30

                  First Choice
                  Wednesday, March 26, 12:00 PM ー 8:00PM

                  First Choice and Preview
                  Wednesday, March 26, 3:00PM ー 8:00PM
                  Thursday, March 27, 12:00PM ー 4:00PM
                  Friday, March 28, 12:00 ー  2:00PM
                  Saturday, March 29, 12:00PM ー 2:00PM
                  Sunday, March 30, 11:00AM ー 12:00PM

                  Vernissage
                  Thursday, March 27, 4:00PM ー 8:00PM

                  Public Days
                  Friday, March 28, 2:00PM ー 8:00PM
                  Saturday, March 29, 2:00PM ー 8:00PM
                  Sunday, March 30, 12:00PM ー 6:00PM



                  Venue:
                  Convention & Exhibition Centre
                  1 Harbour Road
                  Wan Chai
                  Hong Kong, China

                  https://www.artbasel.com/hong-kong

                   

                   

                  岡﨑5点組_cropped_修正

                  From left:

                  On Ohrid Lake’s rocky shore, an ancient sage meditated, his bird-like face carved by time and fasting. Swallows skimmed waters. The novice’s azure beads glinted. “Master,” he murmured, “your strength wanes like autumn light.” Behind them stood a monastery, half-hidden among olive trees, its burned walls whispering tales of sacrilege.

                   

                  “At night, Master, I see them: Hellenic maidens weaving flower crowns with blue wildflowers, their hair flowing with their hearts’ rhythm.” The youth’s voice trembled. Through azure darkness, mysterious figures like shadows – Macedonian shepherds driving boars through olive groves, Dryads herding pearl-white goats, laughter echoing across deep blue Aegean waters.

                   

                  Lilies and roses, planted by long-departed Orthodox monks, wove through the garden where ferns advanced like silent armies. “The ancient Thracian gods still walk here,” the old man murmured, eyes gleaming. Beyond the flower-strewn ruins, cypress groves stretched toward horizon, harboring secrets of Cyclopes and Thessalian nymphs dancing in moonlight.

                   

                  “I seek the moment when immortal spirits sing,” the sage revealed, clutching his cypress staff. “When the sun passes between Ram and Lion, their song trembles through creation. Tomorrow at dawn, I shall hear it.” His eyes blazed with ancient wisdom, reflecting centuries of searching through Byzantine and Delphic lore.

                   

                  The youth gathered roses bright as rubies and lilies white as pearls, weaving them through rushes as the last grains of sand fell. “You’ll find me young again,” the master had promised. When dawn painted the walls with clear light, he sat motionless, embracing the dewy flowers, his quest ended.

                   

                  Kenjiro Okazaki | 岡﨑乾二郎

                  2025, Acrylic on canvas, (H)160 x (W)130 x (D) 7cm each

                  Set of five

                  ©︎ Kenjiro Okazaki

                  Courtesy of Takuro Someya Contemporary Art

                   

                   

                  TSCA_NY_Untitled_Manhattan40C_1980 のコピー

                  Nobuo Yamanaka 
                  Untitled (Manhattan in Pinhole (40)C)
                  1980, C-Type Print, (H)12.5 x (W)20.2 cm
                  ©︎ Nobuo Yamanaka
                  Courtesy of Takuro Someya Contemporary Art

                   

                   

                   

                  230418_あふれる太陽のピンホール(7)

                  Nobuo Yamanaka
                  Dazzling Sun in Pinhole (7)
                  1973, C-Type Print, (H)25 x (W)30 cm
                  ©︎ Nobuo Yamanaka
                  Courtesy of Takuro Someya Contemporary Art

                   

                    Art Fair

                    Tokyo Gendai 2024 Galleries: C10

                    Takuro Someya Contemporary Art (TSCA) is pleased to present works by Kenjiro Okazaki and Rafaël Rozendaal at Tokyo Gendai 2024. Presenting at Galleries’ sector for this year, TSCA features a large tile work exhibited at “Retrospective Strata”, a large solo exhibition by Kenjiro Okazaki held at Toyota Municipal Museum of Art in 2019, and new sculptures. Rafaël Rozendaal also shows a series of three-meter-high lenticular works from an exhibition “Modern Times in Paris 1925 – Art and Design in the Machine-age’ held at POLA Museum of Art from 2023 until 2024.

                     

                    Kenjiro Okazaki’s (b. 1955, Tokyo) achievements in painting and sculpture can be more fully understood by examining his wide-ranging activities and body of work as a whole. As an artist, architect, community project leader, critic, and thinker, Okazaki has made many significant and lasting contributions, establishing himself as a master of both the practice and theory of art. At the core of his expansive work is a steadfast artistic philosophy.

                     

                    The distinctiveness of Okazaki’s artistic practice and thinking is most strikingly manifested in his innovative use of ceramic tiles.

                     

                    To conceive of a single artwork composed of variously colored titles, each made with different materials and firing processes, transcends the scope of traditional drawing methods.
                    The process of understanding the individual characteristics of the countless colored tiles and creating a sequence of hues is similar to editing a film or constructing a philosophical argument. Leveraging the unique qualities of each tile (for example, the contrast between transparent and matte colors is key to understanding Okazaki’s paintings), Okazaki constructs the visual surface as if solving a mathematical problem or weaving a story. Like a sequence of scenes in a film or a continuous architectural space, each part of the finished work appears as though an independent color composition or individual painting. Yet as these individual components are integrated into the experience of a continuous and connected whole, the work sparks the viewer’s imagination anew. The process of viewing the work and the process of thinking overlap and become one.

                     

                    Born in the Netherlands in 1980, Rafaël Rozendaal began presenting works on ‘web pages’ with each of their own domains in 2001. Defining his art as “like a gas or liquid that appears everywhere” by himself, Rozendaal has used the ubiquitous nature of the internet as the basic structure for his works, presenting works in a variety of formats using a wide range of motifs such as from web browsers, food, landscapes and other unique phenomena in the world around us. The variety of his works with their rich colors and freewheeling compositions not only entertain the viewers, but also propose a more universal structure beyond the diversity and individuality of each work due to their structural coherence.

                    Inquiry: gallery@tsca.jp

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