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Enrico Isamu Ōyama solo exhibition “Windowsill” (LUMINE 0)

Sorry, this entry is only available in Japanese.

    Artist

    Kenjiro Okazaki: “The Insight of Kenjiro Okazaki - Abstract Art as Impact —How Abstract Arts can become Concrete Tools”


    “The Insight of Kenjiro Okazaki – Abstract Art as Impact —How Abstract Arts can become Concrete Tools,” curated by Kenjiro Okazaki, will be opening at Toyota Municipal Museum of Art (Aichi Prefecture) on Saturday, April 22nd, 2017. Aside from his active career as an artist, Okazaki has introduced innovative views on art works and art history based on his broad knowledge of culture and art. He will examine primal intensions of Abstract Art in this exhibition though exploring the art collection built by Toyota Municipal Museum of Art since its opening in 1995.

    —————————————————————————
    “The Insight of Kenjiro Okazaki – Abstract Art as Impact —How Abstract Arts can become Concrete Tools”
    http://www.museum.toyota.aichi.jp/…/20…/special/okazaki.html

    Period: April 22 (Sat) – June 11 (Sun)
    Closed: Mondays (except May 1)
    Opening Hours: 10:00-17:30 (entrance until 17:00)
    Organized by: Toyota Municipal Museum of Art
    Admission Fees: Adults \800 (700) / High school and university students \500 (400)
    *Free for elementary and junior high school students, high school student (live in Toyota City),
    senior (75 and over) and mentally or physically disabled people with one attendant.
    *Bracketed figures represent the fees for groups of 20 or more.
    Curated by: Kenjiro Okazaki (Artist) 
    —————————————————————————

    Artist

    Maseru Iwai:The catalog “Prisoner of habit” has been published and available online.


    The catalog documenting Maseru Iwai’s series of projects “Prisoner of habit” conducted at AKIBI plus (Akita, Japan) in 2015 and 2016 has been published and available online.
     
    You can view and download it on the website below (published only in Japanese besides the artist statement on each project):
    http://akibi-plus.jp/topics/1708/
     
    At the artist-in-residence program and exhibition “Prisoner of habit: dance, eat, defecate” in 2015, Iwai depicted one of provincial cities after the war through researching issues on spring water and Bon festival dance mainly in Shinya area, Akita. He created opportunities for the local to communicate with each other by opening the vacant house, where he stayed, to the public and working together with them on the project. As for “Making an exhibition, Prisoner of habit with Masaru Iwai” in 2016, he visualized the form of the changing provincial city through researching homemade videos recorded in 8mm films and VHS, which are now replaced by the internet and other newer media.

    This catalog includes essays by Eriko Kimura, curator at Yokohama Museum of Art, and Ayako Osanai, independent curator/coordinator.
     
    Those two projects were conducted as collaborative projects with the local and students who were interested in art/artist management. AKIBI plus, the organizer of the projects, is a human resource development program for art management, where the faculty of Akita University of Art conducts projects in collaboration with four areas in Akita Prefecture.

      Artist

      Enrico Isamu Ōyama:"Writing and Picturing in Post-1945 Asian Art" University of Chicago


      Enrico Isamu Ōyama will be performing at the international symposium “Writing and Picturing in Post-1945 Asian Art,” conducted for three days from Friday, April 21 to Sunday, April 23 at Department of Art History and Logan Center for the Arts at the University of Chicago. (Ōyama will perform on day 2, April 22)
       
      At this symposium, researchers and curators, who specialize in East Asian calligraphy and ink painting, will have presentations and talk sessions on history of calligraphy and ink painting. Artists who use elements of calligraphy and ink painting in their creative activities will also perform on the stage.
       
       
      —————————————————-
      “Writing and Picturing in Post-1945 Asian Art”
      https://lucian.uchicago.edu/blogs/writing-and-picturing/
       
      Ōyama’s performance will be held at the venue and time below:
      Venue: Logan Center for the Arts
      Date and time: April 22 (Sat), 6:00pm-
      —————————————————-

       

       

        Artist

        (Japanese) 大山エンリコイサム監修 『美術手帖 2017年6月号 特集=SIGNALS!共振するグラフィティの想像力』

        Sorry, this entry is only available in Japanese.

          Artist

          Motomasa Suzuki: “VOCA Exhibition - The Vision of Contemporary Art 2017” at the Ueno Royal Museum


          Motomasa Suzuki is participating in “VOCA Exhibition – The Vision of Contemporary Art 2017,” the Ueno Royal Museum, from Saturday, March 11th through Thursday, March 30th, 2017. His work “Ghost #4,” shown at this exhibition won VOCA Encouragement Prize.


          ―――――――――――
          Exhibition title: VOCA Exhibition – The Vision of Contemporary Art 2017
          Venue: The Ueno Royal Museum
          Term: Saturday, March 11th – Thursday, March 30th, 2017
          Admission fee: General ¥600 / university students ¥500 / free for high school students or younger

          Exhibition website (Japanese only):
          http://www.ueno-mori.org/exhibitions/article.cgi?id=192
          ―――――――――――

          Artist

          Enrico Isamu Ōyama solo exhibition “Windowsill” (LUMINE 0)

          Sorry, this entry is only available in Japanese.

            Artist

            Kenjiro Okazaki: “The Insight of Kenjiro Okazaki - Abstract Art as Impact —How Abstract Arts can become Concrete Tools”


            “The Insight of Kenjiro Okazaki – Abstract Art as Impact —How Abstract Arts can become Concrete Tools,” curated by Kenjiro Okazaki, will be opening at Toyota Municipal Museum of Art (Aichi Prefecture) on Saturday, April 22nd, 2017. Aside from his active career as an artist, Okazaki has introduced innovative views on art works and art history based on his broad knowledge of culture and art. He will examine primal intensions of Abstract Art in this exhibition though exploring the art collection built by Toyota Municipal Museum of Art since its opening in 1995.

            —————————————————————————
            “The Insight of Kenjiro Okazaki – Abstract Art as Impact —How Abstract Arts can become Concrete Tools”
            http://www.museum.toyota.aichi.jp/…/20…/special/okazaki.html

            Period: April 22 (Sat) – June 11 (Sun)
            Closed: Mondays (except May 1)
            Opening Hours: 10:00-17:30 (entrance until 17:00)
            Organized by: Toyota Municipal Museum of Art
            Admission Fees: Adults \800 (700) / High school and university students \500 (400)
            *Free for elementary and junior high school students, high school student (live in Toyota City),
            senior (75 and over) and mentally or physically disabled people with one attendant.
            *Bracketed figures represent the fees for groups of 20 or more.
            Curated by: Kenjiro Okazaki (Artist) 
            —————————————————————————

            Artist

            Maseru Iwai:The catalog “Prisoner of habit” has been published and available online.


            The catalog documenting Maseru Iwai’s series of projects “Prisoner of habit” conducted at AKIBI plus (Akita, Japan) in 2015 and 2016 has been published and available online.
             
            You can view and download it on the website below (published only in Japanese besides the artist statement on each project):
            http://akibi-plus.jp/topics/1708/
             
            At the artist-in-residence program and exhibition “Prisoner of habit: dance, eat, defecate” in 2015, Iwai depicted one of provincial cities after the war through researching issues on spring water and Bon festival dance mainly in Shinya area, Akita. He created opportunities for the local to communicate with each other by opening the vacant house, where he stayed, to the public and working together with them on the project. As for “Making an exhibition, Prisoner of habit with Masaru Iwai” in 2016, he visualized the form of the changing provincial city through researching homemade videos recorded in 8mm films and VHS, which are now replaced by the internet and other newer media.

            This catalog includes essays by Eriko Kimura, curator at Yokohama Museum of Art, and Ayako Osanai, independent curator/coordinator.
             
            Those two projects were conducted as collaborative projects with the local and students who were interested in art/artist management. AKIBI plus, the organizer of the projects, is a human resource development program for art management, where the faculty of Akita University of Art conducts projects in collaboration with four areas in Akita Prefecture.

              Artist

              Enrico Isamu Ōyama:"Writing and Picturing in Post-1945 Asian Art" University of Chicago


              Enrico Isamu Ōyama will be performing at the international symposium “Writing and Picturing in Post-1945 Asian Art,” conducted for three days from Friday, April 21 to Sunday, April 23 at Department of Art History and Logan Center for the Arts at the University of Chicago. (Ōyama will perform on day 2, April 22)
               
              At this symposium, researchers and curators, who specialize in East Asian calligraphy and ink painting, will have presentations and talk sessions on history of calligraphy and ink painting. Artists who use elements of calligraphy and ink painting in their creative activities will also perform on the stage.
               
               
              —————————————————-
              “Writing and Picturing in Post-1945 Asian Art”
              https://lucian.uchicago.edu/blogs/writing-and-picturing/
               
              Ōyama’s performance will be held at the venue and time below:
              Venue: Logan Center for the Arts
              Date and time: April 22 (Sat), 6:00pm-
              —————————————————-

               

               

                Artist

                Motomasa Suzuki: “VOCA Exhibition - The Vision of Contemporary Art 2017” at the Ueno Royal Museum


                Motomasa Suzuki is participating in “VOCA Exhibition – The Vision of Contemporary Art 2017,” the Ueno Royal Museum, from Saturday, March 11th through Thursday, March 30th, 2017. His work “Ghost #4,” shown at this exhibition won VOCA Encouragement Prize.


                ―――――――――――
                Exhibition title: VOCA Exhibition – The Vision of Contemporary Art 2017
                Venue: The Ueno Royal Museum
                Term: Saturday, March 11th – Thursday, March 30th, 2017
                Admission fee: General ¥600 / university students ¥500 / free for high school students or younger

                Exhibition website (Japanese only):
                http://www.ueno-mori.org/exhibitions/article.cgi?id=192
                ―――――――――――

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